I’m Dreaming of a Celluloid Christmas

love-actually-original.jpg

Christmas movies are as much a part of my holiday traditions as parties and presents, candy and carols.

I love films in every genre, but certain Christmas movies are among my favorite films of all time. I’m talkin’ stranded-on-a-deserted-island favorite.

If I did find myself on an island this yuletide season, these are the movies I’d want with me.

IT'S A WONDERFUL LIFE

“It’s A Wonderful Life” ranks among my favorite movies of all-time, perhaps even tied for first place with “Casablanca,” and the only film that moves me as much as “Keys of the Kingdom.”

George Bailey has so many problems he’s thinking about ending it all on Christmas. A film so dark it’d be noir if not for the ending, there’s far more to “It’s A Wonderful Life” than most viewers imagine. 

I am George Bailey. So are you. He reminds us that at our best our little lives can make a big difference in the lives of others. George Bailey teaches us what the wonderful writer Frederick Buechner says so eloquently: “Listen to your life. See it for the fathomless mystery that it is. In the boredom and pain of it, no less than in the excitement and gladness: touch, taste, feel your way to the holy and hidden heart of it because in the last analysis, all moments are key moments, and life itself is grace.”

LOVE ACTUALLY 

Richard Curtis is not unlike George Bailey—making the world around him a better place with what he builds. And what he builds are great romantic comedies. I’ve loved his work since I first saw “Four Weddings and a Funeral” by myself in a small theater in Tulsa, Oklahoma, when it first came out. A few years later, when I saw “Notting Hill,” I knew it was a love that would last a lifetime. I adore all his films, and as powerful as “The Girl in the Café” is, I believe “Love Actually” is his best film so far.

“Love Actually” is entertaining, poignant, and heartbreaking. It, better than any other movie, captures the magic of Christmas, using the dizzying effects of romantic love as a metaphor for the season’s gentle madness.

THE FAMILY STONE

Two of the things most associated with Christmas—family and home—are brilliantly captured in “The Family Stone.” A dramaedy about the only thing crazier than Christmas—family, the perfectly cast film makes me wish I were a member of the Stone family. As much about life and death, loss and love, as anything else, Christmas provides a prison-like cauldron to heat up the explosive elements and dynamics of all families, but none more than those of the Stone family.

THE HOLIDAY

“The Holiday” starring Cameron Diaz and Kate Winslet is a well written and wildly romantic holiday movie. The story revolves around two disillusioned women, one from England, the other from the US, who switch lives and find what they’ve been missing. Like the season in which it’s set, the movie is magic.

THE ICE HARVEST

But perhaps all the romance and comedy is too much for you and you’d rather explore the darker side of Christmas.

Crime movies don’t get much darker or more comedic than the noel noir “The Ice Harvest.”

In icebound Wichita Falls, Kansas, Christmas Eve is as dark, depressing, and desperate a night as any of the year, and Charlie Arglist (John Cusack) is trying to escape it, leave town with two million dollars of mob boss Bill Guerrard’s money. Can he escape Wichita Falls? Can any of us?

Though all performances are strong, it’s Cusack’s embodiment of Arglist that sets the film apart. His ability to make the small-time, small-town, lawyer a likable everyman trying to break out of his life of quiet desperation gives the film its charming and redeeming qualities.

“The Ice Harvest” is dark, quirky, and blackly comedic, but it also has some poignant moments of existential meditation, erudite contemplations of the elusiveness of the spirit of the season, and stinging satire on the hypocrisy of Christmas.

“As Wichita Falls, so falls Wichita Falls” is written and spoken repeatedly throughout the film like a lost line of poetry or a riff of jazz, and it says it all. It’s about existentialism, karma—something made far more obvious in the alternate ending.

THE END

This holiday season, give yourself the gift of great movies. Travel with George Bailey on his long, hard journey that out of hell leads up to light, Charlie Arglist on his even darker one, spend some time with the Stone family, careful to give and receive the gift of love, not knowing which Christmas will be your last, and fall in love all over again as you realize with Kate and Cameron, Liam and Hugh, that at Christmas love is actually all around.

Merry Christmas to all and to all a good Movie Night! 

Posted on December 13, 2016 .